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<urlset xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns="http://www.sitemaps.org/schemas/sitemap/0.9" xmlns:image="http://www.google.com/schemas/sitemap-image/1.1" xsi:schemaLocation="http://www.sitemaps.org/schemas/sitemap/0.9 http://www.sitemaps.org/schemas/sitemap/0.9/sitemap.xsd"><url><loc>https://richardgmartin.org/teaching/</loc><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2013/04/eyes-wide-shut-dir-stanley-kubrick-1999.png</image:loc><image:title>Eyes Wide Shut (dir. Stanley Kubrick, 1999)</image:title><image:caption>Eyes Wide Shut (dir. Stanley Kubrick, 1999)</image:caption></image:image><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2013/04/cachc3a9-dir-michael-haneke-2005.jpg</image:loc><image:title>Caché (dir. Michael Haneke, 2005)</image:title><image:caption>Caché (dir. Michael Haneke, 2005)</image:caption></image:image><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2013/04/exhibition-dir-joanna-hogg-2013.jpg</image:loc><image:title>Exhibition (dir. Joanna Hogg, 2013)</image:title><image:caption>Exhibition (dir. Joanna Hogg, 2013)</image:caption></image:image><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2013/04/carey-young-body-techniques-after-sculpture-ii-kirsten-justesen-1969.jpg</image:loc><image:title>Carey Young, 'Body Techniques (after Sculpture II, Kirsten Justesen, 1969)' (2007)</image:title><image:caption>Carey Young, 'Body Techniques (after Sculpture II, Kirsten Justesen, 1969)' (2007)</image:caption></image:image><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2013/04/crescent-house-golden-lane-estate-london.jpg</image:loc><image:title>Crescent House, Golden Lane Estate, London</image:title><image:caption>Crescent House, Golden Lane Estate, London</image:caption></image:image><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2013/04/lucio-fontana-spatial-concept-waiting-1960.jpg</image:loc><image:caption>Lucio Fontana, Spatial Concept 'Waiting' (1960).   © Fondazione Lucio Fontana, Milan</image:caption></image:image><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2013/04/projecting-desire-course-poster.jpg</image:loc><image:title>Projecting Desire - Course Poster</image:title><image:caption>Projecting Desire - Course Poster. Design by Jonathan McKay.</image:caption></image:image><lastmod>2022-12-22T13:53:13+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://richardgmartin.org/talks/</loc><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2013/04/architecture-essay-film-symposium.jpg</image:loc><image:title>Architecture Essay Film symposium</image:title></image:image><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2013/04/le-mepris-dir-jean-luc-godard-19631.jpg</image:loc><image:title>Le mepris (dir. Jean-Luc Godard, 1963)</image:title><image:caption>Le mépris (dir. Jean-Luc Godard, 1963)
</image:caption></image:image><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2013/04/sunrise-dir-fw-murnau-1927.jpg</image:loc><image:title>Sunrise (dir. FW Murnau, 1927)</image:title><image:caption>Sunrise (dir. FW Murnau, 1927)</image:caption></image:image><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2013/04/jessie-brennan-a-fall-of-ordinariness-and-light-the-enabling-power-2014.png</image:loc><image:title>Jessie Brennan, A Fall of Ordinariness and Light (The Enabling Power) (2014)</image:title><image:caption>Jessie Brennan, A Fall of Ordinariness and Light (The Enabling Power) (2014)</image:caption></image:image><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2013/04/jessie-brennan-a-fall-of-ordinariness-and-light-the-enabling-power-2014.jpg</image:loc><image:title>Jessie Brennan, A Fall of Ordinariness and Light (The Enabling Power) (2014)</image:title><image:caption>Jessie Brennan, A Fall of Ordinariness and Light (The Enabling Power) (2014)</image:caption></image:image><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2013/04/jessie-brennan_a-fall-of-ordinariness-and-light-the-enabling-power_2014_graphite-on-paper-framed-in-aluminium_57-5-x-71-5-cm_commissioned-for-progress-by-the-foundling-museum_2014.jpg</image:loc><image:title>Untitled-1</image:title><image:caption>Jessie Brennan, A Fall of Ordinariness and Light (The Enabling Power) (2014)</image:caption></image:image><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2013/04/28-days-later.jpg</image:loc><image:title>28 Days Later</image:title><image:caption>28 Days Later (dir. Danny Boyle, 2002)</image:caption></image:image><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2013/04/specular-assembly-at-the-india-club.jpg</image:loc><image:title>Specular Assembly at the India Club</image:title></image:image><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2013/04/bartlett-flyer.jpg</image:loc><image:title>Bartlett flyer</image:title></image:image><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2013/04/shanghai-express-dir-josef-von-sternberg-1932.jpg</image:loc><image:title>Shanghai Express (dir. Josef von Sternberg, 1932)</image:title><image:caption>Shanghai Express (dir. Josef von Sternberg, 1932)</image:caption></image:image><lastmod>2022-10-05T13:05:56+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://richardgmartin.org/writing/</loc><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2013/04/remainder-dir-omer-fast-2015.jpg</image:loc><image:title>Remainder (dir. Omer Fast, 2015)</image:title></image:image><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2013/04/roni-horn-pink-tons.jpg</image:loc><image:title>Pink Tons 2009 by Roni Horn born 1955</image:title><image:caption>Pink Tons 2009 Roni Horn born 1955 Purchased with funds provided by Tate Americas Foundation, the North American Acquisitions Committee, the Art Fund, Tate Members, Tate Patrons, the artist and with additional assistance from Dominque Levy in honor of Dorothy Berwin 2016 http://www.tate.org.uk/art/work/T14525</image:caption></image:image><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2013/04/john-akomfrah-the-airport-2016.jpg</image:loc><image:title>John Akomfrah, The Airport (2016)</image:title><image:caption>John Akomfrah, The Airport (2016)</image:caption></image:image><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2013/04/salzburg.jpg</image:loc><image:title>Salzburg</image:title></image:image><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2013/04/yang-fudong-east-of-que-village-2007.jpg</image:loc><image:title>Yang Fudong, East of Que Village (2007)</image:title><image:caption>Yang Fudong, East of Que Village (2007)</image:caption></image:image><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2013/04/apollo-october-2015.png</image:loc><image:title>Apollo - October 2015</image:title></image:image><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2013/04/apollo-magazine-october-2015.png</image:loc><image:title>Apollo magazine - October 2015</image:title></image:image><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2013/04/omer-fast-cnn-concatenated.png</image:loc><image:title>Omer Fast, CNN Concatenated (2002)</image:title><image:caption>Omer Fast, CNN Concatenated (2002)</image:caption></image:image><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2013/04/stanley-kubrick-new-perspectives.jpg</image:loc><image:title>Stanley Kubrick, New Perspectives</image:title></image:image><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2013/04/christian-marclay-surround-sounds-2015.jpg</image:loc><image:title>Christian Marclay, Surround Sounds (2015)</image:title></image:image><lastmod>2022-10-05T11:18:55+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://richardgmartin.org/programming/</loc><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2016/06/katharine-hepburn.png</image:loc><image:title>Katharine Hepburn</image:title></image:image><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2016/06/katherine-hepburn.jpg</image:loc><image:title>Katherine Hepburn</image:title></image:image><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2016/06/tate-modern-image-by-peter-saville.png</image:loc><image:title>Tate Modern Image by Peter Saville</image:title></image:image><lastmod>2022-10-05T11:13:55+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://richardgmartin.org/about/</loc><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2013/04/me-and-hitchcock1.jpg</image:loc><image:title>Me and Hitchcock</image:title></image:image><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2013/04/richard-martin.jpg</image:loc><image:title>Richard Martin</image:title></image:image><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2013/04/union-station-los-angeles.jpg</image:loc><image:title>Los Angeles Union Station</image:title><image:caption>Los Angeles Union Station</image:caption></image:image><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2013/04/suburban-station-philadelphia.jpg</image:loc><image:title>OLYMPUS DIGITAL CAMERA</image:title><image:caption>Suburban Station, Philadelphia</image:caption></image:image><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2013/04/c3a1guas-livres-aqueduct-lisboa.jpg</image:loc><image:title>OLYMPUS DIGITAL CAMERA</image:title><image:caption>Águas Livres Aqueduct, Lisboa</image:caption></image:image><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2013/04/museum-der-bildenden-kc3bcnste-leipzig.jpg</image:loc><image:title>Museum der bildenden Künste Leipzig</image:title></image:image><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2013/04/the-lingotto-building-turin.jpg</image:loc><image:title>Lingotto Building, Turin</image:title><image:caption>Lingotto Building, Turin</image:caption></image:image><lastmod>2021-11-11T14:32:27+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://richardgmartin.org/contact/</loc><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2013/04/me-and-hitchcock.jpg</image:loc><image:title>Me and Hitchcock</image:title></image:image><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2013/04/alfama-lisboa.jpg</image:loc><image:title>Alfama, Lisboa </image:title><image:caption>Alfama, Lisboa </image:caption></image:image><image:image><image:loc>https://richardgmartin.org/wp-content/uploads/2013/04/bauhaus-archiv-berlin.jpg</image:loc><image:title>Bauhaus-Archiv, Berlin</image:title><image:caption>Bauhaus-Archiv, Berlin</image:caption></image:image><lastmod>2020-04-19T11:37:07+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://richardgmartin.org</loc><changefreq>daily</changefreq><priority>1.0</priority><lastmod>2022-12-22T13:53:13+00:00</lastmod></url></urlset>
